Description
The colors available in the Flesh Tone Palette system range from the palest of pink tones to the deepest rich yellow tones. The system contains skin tone colors with warming/cooling adjusters that are ideal for fine tuning a skin tone mix that’s a perfect match, or for creating a subtle bruising for close camera work.Ā Rice Paper, the staple of the palette, canĀ beĀ used as a white color to lighten a particular mix, or on its own to match the skin. You can useĀ Natural 1 and 2Ā as the basis for mostĀ Caucasian tones. These colors already lean to the yellow side of a natural tone so you can decide how much warmth or coolness to add. If you need to warm theĀ Naturals, add a little CoralĀ Adjuster orĀ Rose Adjuster 2. If you need to cool the tone, add a little OliveĀ AdjusterĀ (liquids only) or Vein Tone to achieve a beige color.Ā Lao 1 and 2Ā will be the basis for your yellow undertoned subjects. Start with these colors and you can lighten the tone with aĀ Rice Paper mix. To make your color more beige, addĀ Vein Tone. To make your color more olive, addĀ Olive Adjuster 2, and if you want to add a touch of golden quality, use theĀ Coral Adjuster.Ā Cedar BrownĀ is a warm yellow based brown that can add a tan to your actor or darken the 5 basic flesh tones, All of the color adjusters have been formulated to intermix with the flesh tones.
The Skin Illustrator Liquid Colors can be used with any airbrush.
Removal is easy with PPI’s Telesis Beta Solv,Ā TelesisĀ Super SolvĀ orĀ Telesis Makeup Remover.
